Peter Nero, the celebrated pianist, longtime player-conductor of the Philly Pops, and revered jazz maestro, passed away on Thursday at the age of 89. News of Peter Nero’s death was confirmed by his daughter, Beverly Nero, who stated he died of natural causes at Home Care Assisted Living Facility in Eustis, Florida. Private services are planned to honor the life and legacy of Peter Nero.
The Philly Pops released a heartfelt statement acknowledging the profound impact of Peter Nero: “We are saddened today to hear of Peter Nero’s passing. There are countless unforgettable moments which Peter brought to Philadelphia. The Philly Pops has always been inspired by his vision, his talent, and his artistry.” This tribute underscores the deep connection Peter Nero had with the city of Philadelphia and its vibrant music scene.
Born Bernard Nierow on May 22, 1934, Peter Nero’s musical journey began in the spotlight of New York children’s talent shows. Even as a child prodigy, his nimble fingers and captivating charm quickly won over audiences. From humble beginnings in smoky piano lounges, Peter Nero ascended to prestigious concert stages, showcasing his remarkable musical prowess. His early talent was evident, setting the stage for a remarkable career as Peter Nero.
Peter Nero collaborated with music icons such as Frank Sinatra, Rod Stewart, Johnny Mathis, and Mel Tormé, solidifying his place in the music industry. He forged a distinctive path by releasing critically acclaimed albums and making frequent appearances in clubs and on television talk shows. These endeavors cemented his reputation as a musical treasure and a beloved showman. Peter Nero possessed the rare ability to curate two-hour concerts that seamlessly blended pop, classical, and jazz genres, appealing to a wide range of musical tastes.
“I enjoy showing how the lines blur,” Peter Nero remarked in a 2007 interview with The Inquirer. This quote encapsulates his innovative approach to music, defying genre boundaries and creating a unique sound that was distinctly Peter Nero. He fearlessly explored the vast landscape of music, driven by a desire to play what he loved and share that passion with his audience. Peter Nero understood the importance of engaging his listeners, balancing familiar tunes with challenging pieces to keep them captivated and enthralled. “It has to be a combination of things you put in their laps and things that are a challenge because if it’s not a challenge, they’re going to get bored,” Peter Nero insightfully told The Inquirer.
Peter Nero’s recording career commenced in 1961 when he signed a significant 24-album deal with RCA over eight years. This monumental contract, almost unheard of in today’s music industry, highlights the early recognition of Peter Nero’s exceptional talent and potential.
Prior to his recording success, Peter Nero honed his skills at New York’s High School of Music and Art, now known as Fiorello H. LaGuardia High School of Music & Art and Performing Arts. He furthered his musical education with part-time studies at Juilliard on Saturdays and earned a bachelor of arts degree from Brooklyn College. During this period, Peter Nero also benefited from private instruction under the tutelage of esteemed piano pedagogues Abram Chasins and Chasins’ wife, Constance Keene, refining his technique and artistry.
Despite his parents not being musically inclined, they recognized and supported Peter Nero’s burgeoning talent. They made a significant investment by purchasing an $1,100 piano, a considerable sum at the time, to nurture his musical gift. “It was the only time they borrowed money,” Peter Nero recalled, highlighting their unwavering support.
In the 1950s, Peter Nero’s performances on children’s talent shows caught the attention of bandleader Paul Whiteman, leading to several years of touring together. This experience further broadened Peter Nero’s musical horizons and stage presence. Following his time with Whiteman, Peter Nero played with his own trio at the Tropicana in Las Vegas before returning to New York. He then secured a pivotal engagement at Jilly’s, a 52nd Street saloon frequented by Frank Sinatra, Jackie Gleason, and numerous musicians. Under the guidance of owner Jilly Rizzo, Peter Nero refined his jazz improvisation skills.
The recording deal with RCA and his subsequent move to Columbia Records solidified Peter Nero’s trajectory as a prominent musical figure. In the 1970s, his single “Summer of ‘42″ achieved gold status, selling over $1 million copies and further amplifying his widespread popularity. Throughout his illustrious career, Peter Nero released over 70 albums and served as the conductor of the Philly Pops, often conducting with one hand while simultaneously playing the piano with the other, a testament to his extraordinary multitasking abilities and musical genius.
Peter Nero’s remarkable talents were highly appreciated by his peers. Ray Charles, in an interview with Keyboard Magazine, expressed his admiration for Peter Nero’s abilities, placing him among the giants of piano: “Art Tatum could play anything he wanted to. … Of course, Oscar [Peterson] is my man. … I probably feel closest to Hank Jones after Oscar. … And Peter Nero plays his buns off!” This praise from a legend like Ray Charles underscores the exceptional musicianship of Peter Nero.
Peter Nero concluded his tenure as Philadelphia Pops director in 2013, leaving behind a legacy of musical excellence. His final performance was met with a standing ovation even before he touched the keyboard, a powerful acknowledgment of his enduring impact on the audience and the city.
The No Name Pops, the group’s current moniker, also released a statement honoring Peter Nero: “The board, musicians, and administration of the No Name Pops are saddened to learn of the passing of our musical hero, Peter Nero. We remember years of playing in front of Independence Hall, on the Steps of the Art Museum, the Academy of Music, and of course, Verizon Hall on the Kimmel Cultural Campus. Words cannot describe the joy he brought to Philadelphia and the world. The No Name Pops will do everything in our power to honor Peter’s Legacy as we move forward.” This statement reflects the deep respect and affection Peter Nero garnered within the Philadelphia music community.
Peter Nero’s personal life included three marriages. His first marriage was to his childhood sweetheart Marcia Dunner, with whom he had two children, Jedd and Beverly. His second and third marriages were to Peggy Altman and Rebecca Edie, respectively. Peter Nero is survived by his daughter, Beverly, his son, Jedd, three grandchildren, and his brother, Alan. Peter Nero’s contributions to music and his enduring legacy will be remembered and celebrated for generations to come.
