Disney’s legacy of heartwarming family films is vast, and within it lies the charmingly peculiar “Pete’s Dragon” from 1977. As discussions swirl around the recent live-action remakes, it’s worthwhile revisiting this original musical fantasy that blends live-action with animation, creating a unique cinematic experience. While not often hailed as a Disney masterpiece, “Pete’s Dragon” holds a special place for many and offers a fascinating look at late 70s Disney filmmaking.
The narrative of “Pete’s Dragon” centers on Pete, an orphaned young boy who finds companionship and protection in Elliot, a large, often invisible, green dragon. Escaping from the clutches of his abusive adoptive family, the Gogans, Pete’s only solace is his magical friend. Elliot, rendered through classic Disney animation, is the heart of the film, a whimsical and loyal creature in a live-action world. This combination was a notable technique for its time, setting the film apart visually.
The story unfolds as the Gogans relentlessly pursue Pete, eventually leading them to the coastal town of Passamaquoddy. Here, Pete and Elliot encounter Lampie, a kind lighthouse keeper, and his daughter Nora. Nora, grieving the presumed loss of her fiancé Paul at sea, finds her life unexpectedly intertwined with the mysterious boy and his even more mysterious dragon. This small town setting provides a quaint backdrop for the fantastical elements of the film to play out.
Adding to the film’s conflicts are the comically villainous Dr. Terminus and his sidekick Hoagy. These characters represent a more traditional form of Disney villainy – motivated by greed and a desire to exploit Elliot for their own gain. They believe the dragon possesses magical properties that can be turned into profitable elixirs and potions. Their exaggerated antics provide a lighter, more farcical contrast to the more grounded emotional core of Pete’s story.
The film then progresses into a series of humorous chases and encounters as the ‘good guys’ – Pete, Elliot, Nora, Lampie, and eventually Paul, who returns – attempt to evade both the persistent Gogans and the scheming Dr. Terminus and Hoagy. This cat-and-mouse dynamic drives much of the film’s second half, filled with slapstick moments and heartwarming interactions between Pete and his dragon.
“Pete’s Dragon” is undeniably wholesome entertainment. While the musical numbers, with the notable exception of “Candle on the Water,” may not reach the heights of Disney’s most iconic songs, they are pleasant and contribute to the film’s lighthearted tone. The performances are generally well-delivered, and the animation of Elliot remains a charming highlight. The movie’s genuine sweetness and lack of cynicism are part of its enduring appeal, offering a comforting and enjoyable viewing experience for families.
However, “Pete’s Dragon” is not without its flaws. The Gogans, intended as antagonists, can become grating with their over-the-top portrayal of villainy. Their relentless pursuit and cartoonish behavior can detract from the film’s more nuanced emotional elements. Similarly, Dr. Terminus and Hoagy, while fitting the mold of classic Disney buffoons, are somewhat underdeveloped and fail to be truly menacing or memorable villains.
Furthermore, the soundtrack, while agreeable, lacks the memorable punch of other Disney musicals. Apart from “Candle on the Water,” the songs are not particularly distinctive. The absence of the Sherman Brothers, Disney’s songwriting powerhouse of the era, is noticeable. While the songs serve their purpose within the film, they don’t elevate “Pete’s Dragon” to the upper echelon of Disney musical films.
Despite these shortcomings, the bond between Pete and Elliot is genuinely touching, and Elliot’s animated character design is skillfully executed for the time. The film smartly avoids delving into Elliot’s origins, adding to his mystique and allowing the focus to remain on his relationship with Pete.
Movie poster for Pete's Dragon
When placed within the broader context of Disney’s live-action filmography, “Pete’s Dragon” arguably sits below titles like “Mary Poppins,” “Pollyanna,” or “Bedknobs and Broomsticks.” These films often exhibit more sophisticated storytelling and memorable elements. Even non-Disney films of similar vintage, like “Chitty Chitty Bang Bang,” might be considered more engaging and less saccharine.
In conclusion, “Pete’s Dragon” is a harmless and amiable film. While the Gogans might test viewer patience, the movie largely avoids being offensive or truly annoying. It’s a perfectly acceptable family film, earning a solid, if not spectacular, grade.
Overall Grade: B-
