Chicago, the rock band with horns, and Peter Cetera, the distinctive voice that soared through countless hits, are synonymous with an era of unforgettable music. Their songs have become the soundtrack to countless lives, filled with soaring melodies and heartfelt lyrics. Even after Cetera embarked on a successful solo career, the magic he created with Chicago continues to resonate. Let’s explore some of the standout tracks that define Peter Cetera’s legacy with Chicago and beyond.
Look Away
Released in 1988, “Look Away” marked a significant moment in Chicago’s history. It became their best-selling single and topped the Billboard Hot 100 chart, proving their enduring appeal even after Peter Cetera’s departure in 1985. This power ballad, from the album Chicago 19, showcased the band’s ability to evolve with the times while retaining their signature sound. The song’s emotional depth and relatable lyrics about heartbreak resonated deeply with audiences, securing its place as a late-era Chicago classic.
Does Anybody Really Know What Time It Is?
Venturing back to Chicago’s early days, “Does Anybody Really Know What Time It Is?” is a standout track from their 1969 debut album, Chicago Transit Authority. This song exemplifies their pioneering jazz fusion style, blending rock instrumentation with intricate horn arrangements. Songwriter Robert Lamm’s intention was to create something unconventional, moving away from typical blues-based structures. He crafted a quirky yet captivating piece that allowed the horn section to shine and featured a memorable guitar solo by Lee Loughnane, demonstrating the band’s instrumental prowess from the outset.
25 or 6 to 4
“25 or 6 to 4,” released in 1970, solidified Chicago’s early success. This high-energy rock track reached the Top 10 in both the US and UK charts, becoming one of their signature anthems. Robert Lamm explained the song’s title refers to the time of night he was writing – 25 or 26 minutes before 4 AM – capturing the late-night creative process. Despite some incorrect interpretations linking it to drug references, the song’s driving rhythm and powerful horns have made it a concert staple and a testament to Chicago’s early rock energy.
The Next Time I Fall (with Amy Grant)
“The Next Time I Fall” showcases Peter Cetera’s successful solo career after Chicago. This duet with Amy Grant became a number one single in the US, highlighting Cetera’s continued chart-topping success outside the band. Interestingly, the song was initially conceived for Chicago. Co-writer Bobby Caldwell revealed they envisioned Cetera singing it with Chicago, but his departure changed those plans. However, fate intervened when Cetera discovered a demo of the song and loved it, deciding to record it as a duet, resulting in a memorable collaboration.
Street Player
“Street Player,” a funk-infused track from 1979, demonstrates Chicago’s versatility and willingness to experiment with different genres. While Rufus initially recorded the song, Chicago’s version brought it to a wider audience. This song experienced a resurgence in popularity when it was heavily sampled in The Bucketheads’ 1995 dance hit, “The Bomb! (These Sounds Fall Into My Mind),” bridging generations and genres and highlighting the song’s infectious groove.
You’re the Inspiration
Released in 1984, “You’re the Inspiration” became another signature ballad for Chicago, reaching the Top 3 in the US. Peter Cetera revealed that the song was initially offered to country music legend Kenny Rogers, who ultimately passed on it. Cetera then took the song for Chicago, and it became one of their most enduring love songs. Its tender melody and heartfelt lyrics, delivered with Cetera’s emotive vocals, resonated deeply with audiences, solidifying its place in Chicago’s catalog of romantic classics.
Hard Habit to Break
“Hard Habit to Break,” another hit from 1984, explores the theme of taking a partner for granted and the desire for reconciliation. This song is notable for its use of dual lead vocals, a distinctive feature for Chicago. Peter Cetera handles the verses with his signature smooth delivery, while Bill Champlin belts out the powerful chorus (“I’m addicted to you baby!”). This vocal interplay adds depth and texture to the song, making it a compelling and emotionally resonant track.
Glory of Love
“Glory of Love” is a quintessential Peter Cetera solo hit, co-written with longtime Chicago collaborator David Foster. This power ballad was specifically written for the soundtrack of The Karate Kid Part II and became a massive success, reaching number one in the US. The song’s cinematic feel and uplifting message about love’s enduring power made it a perfect fit for the movie and a defining song of the 1980s, cementing Cetera’s solo stardom.
If You Leave Me Now
“If You Leave Me Now,” released in 1976, was the song that propelled Chicago to true mainstream global success. It topped charts in both the UK and US, marking a significant turning point in their career. This ballad, considered one of the greatest break-up songs of all time, is surprisingly structured without a traditional chorus. Its emotional vulnerability and Cetera’s tender vocals connected with a vast audience, transforming Chicago from a successful band into international superstars.
Hard to Say I’m Sorry
“Hard to Say I’m Sorry,” a 1982 power ballad, became another number one hit in the US and reached the top five in the UK, reaffirming Chicago’s enduring popularity into the 80s. This song is notable for featuring members of Toto, including Steve Lukather on guitar and David Paich and Steve Porcaro on synthesizers, adding to its polished and sophisticated sound. The full-length version seamlessly transitions into an upbeat song called “Get Away,” showcasing Chicago’s musical versatility within a single track.
These songs represent just a glimpse into the vast and influential catalog of Peter Cetera and Chicago. Their music continues to inspire and move audiences, proving their timeless appeal and lasting impact on the landscape of popular music.
