In the realm of endearing animated monster movies, “Pete’s Dragon” emerges as a captivating story that beautifully blends live action with animation. Set in the quaint backdrop of Maine, circa 1908, the film centers around the heartwarming relationship between a spirited 9-year-old orphan named Pete (Sean Marshall) and his extraordinary companion, Elliot, a sympathetic dragon.
Pete’s plight begins as he escapes the clutches of the overbearing Gogan family (Shelley Winters, Charles Tyner), who cruelly exploit him as a servant rather than nurturing him as a child. With his protective dragon Elliot, visible only to Pete, as his steadfast ally, they flee their oppressive environment and stumble upon the town of Passamaquaddy, a bustling oceanfront community teeming with fishermen and townsfolk.
Alt text: A heartwarming scene depicting young Pete, with freckles and wide eyes, gently reaching out to touch the snout of Elliot, the large, friendly dragon, in a sun-dappled forest clearing.
Pete’s arrival in Passamaquaddy is met with initial disruption, largely due to Elliot’s accidental antics. The pale green dragon, in his unseen exuberance, inadvertently causes minor chaos, leading to comical town-wide confusion involving the school teacher, the Mayor (Jim Backus), and the bewildered citizens.
Amidst the town’s turmoil, Pete finds solace and kindness in Nora (Helen Reddy), a compassionate lighthouse keeper who resides with her father, Lampy (Mickey Rooney). Nora and Lampy offer Pete refuge and understanding, becoming the caring figures he desperately needs.
Alt text: A tender moment showing Nora, with a kind smile, bandaging Pete’s arm inside the cozy lighthouse, while Lampy, her father, watches with a warm expression, emphasizing the lighthouse as a safe haven.
However, the tranquility is disrupted by the arrival of the charlatan Dr. Terminus (Jim Dale), a con artist, and his sidekick (Red Buttons). They quickly recognize the profit potential of Elliot the Dragon, viewing him as a lucrative spectacle to exploit for personal gain.
“Pete’s Dragon” is an enjoyable narrative that echoes elements of “Harvey” with a touch of “Mary Poppins” magic, tailored for a younger audience. The animated dragon, Elliot, truly steals the show with his expressive grins, gentle grunts, and endearing clumsiness.
The film’s animation, while simple, is effectively crafted by Don Bluth, who later achieved greater acclaim with animated classics like “The Secret of NIMH,” “Anastasia,” and “Titan A.E.” The cinematography by Frank Philips is colorful and evocative, enhancing the movie’s whimsical atmosphere. Irwin Kostal’s choreography and musical score contribute beautifully to the film’s charm.
Alt text: A playful image of Elliot, the animated dragon, grinning mischievously while playfully interacting with Pete in the bustling town square of Passamaquaddy, showcasing the blend of animation and live action.
Directed with professionalism by Don Chaffey (known for “Jason and the Argonauts” and “One Million Years B.C.”), “Pete’s Dragon” is a delightful Disney musical that will undoubtedly entertain children. It earns a rating of “Acceptable and Passable” as a charming family film.
