For years, a cloud of confusion has lingered in the art market, specifically around “gyotaku fish prints,” and the names associated with them, particularly “Pete’s Fresh Fish Prints” of Nantucket, and prints from “Setting the Space.” This confusion stems from a shared history and a similar-sounding name, but it’s crucial for art enthusiasts and buyers to understand the distinct origins and qualities of these prints.
The origin of the term “Fresh Fish Prints” traces back to “Joe’s Fresh Fish Prints,” my original store name. When Pete’s store in Nantucket was established, I played a significant role in its launch. From designing the logo and shirts to contributing a substantial portion of the prints displayed in the early years, I was deeply involved. In the spirit of collaboration, I allowed Pete to use the term “Fresh Fish Prints,” believing it would leverage existing brand recognition.
However, this decision inadvertently led to ongoing market confusion. Despite parting ways professionally, the name “Pete’s Fresh Fish Prints” persisted, creating a situation where customers often mistake prints from different sources as originating from the same artist. The hope is that “Pete’s Fresh Fish Prints” will eventually evolve to “Pete’s Fish Prints,” further differentiating the brands and alleviating this persistent issue. Countless individuals have unknowingly purchased prints elsewhere, believing they were acquiring my original artwork, only to later realize the discrepancy.
To assist in discerning between authentic “Joe’s Fresh Fish Prints” and others, including “Pete’s Fresh Fish Prints,” there are several key indicators to consider:
Frames: Interestingly, both my prints and those from Pete’s Fresh Fish Prints often utilize the same frames. This is because I shared my frame source, a reclaimed frame provider in Texas, with Pete during our collaboration. Therefore, the framing alone cannot be used to distinguish the prints.
The Chop (Artist’s Mark): A significant differentiator lies in the artist’s “chop,” or signature mark. My original “Joe’s Fresh Fish Prints” feature a red square chop incorporating my initials, “JoeH,” visibly within the square. In contrast, Pete’s Fresh Fish Prints utilize a scallop-shaped mark. This chop serves as a clear identifier of the artist.
The Actual Print – Originals vs. Reproductions: The most substantial differences emerge when examining the prints themselves, particularly when comparing original prints to reproductions. Firstly, it’s important to note that the reproductions sold by Pete’s Fresh Fish Prints at “Setting The Space” locations in Plymouth, Dedham, Mashpee, and Falmouth, and Isabel Harvey store in Wellesley are not my creations. A direct comparison between these reproductions and my prints will reveal noticeable distinctions.
Most of my “Joe’s Fresh Fish Prints” are original gyotaku prints, characterized by a distinctive, subtly wrinkled paper texture. My limited edition reproductions, known as giclées, are also unique. For prints 18 inches and larger, I use authentic archival unryu paper. This specialized paper can be identified by its visible fibers, which are unique in each print, including the giclées. No two prints possess the same fiber structure. Conversely, Pete’s Fresh Fish Prints often employ photographs or scans of prints, reproduced on standard paper, lacking the unique fiber characteristics of unryu paper. Furthermore, my limited-edition reproductions are numbered up to 50 prints, whereas Pete’s Fresh Fish Prints’ reproductions are often numbered up to 250, indicating a larger run.
The Eyes: Detail and Realism: A readily discernible difference lies in the quality and detail of the fish eyes within the prints. Vandingstee, for example, often uses a simple black dot to represent the eye. In contrast, I dedicate considerable time to rendering the eyes with detail, striving for realism. Each fish species possesses unique eye patterns, and my intention is to capture this natural variation as accurately as possible in my “Joe’s Fresh Fish Prints.”
Quality of Line: For those already familiar with “Joe’s Fresh Fish Prints,” the quality of line work provides another point of comparison. Directly comparing a print from Vandingstee with one of my originals will readily highlight the nuances and differences in line quality and artistic execution.
Ultimately, the best approach is to examine both bodies of work directly and form your own informed opinion. However, it is paramount to ensure that you are purchasing artwork from the artist you intend to support. By understanding these key differences, you can confidently distinguish between “Joe’s Fresh Fish Prints” and “Pete’s Fresh Fish Prints” and make an informed decision when acquiring gyotaku art.
